His first film in colour, where even the colour he had wasn't enough — and the subject turned out to be a crisis of everything.
Watched Antonioni's "Red Desert." This is one to watch entirely alone, just you and it.
Strange throughout: Antonioni talks about pure admiration for these industrial giants, and what you're watching is a crisis of everything — someone trying to find herself in the middle of endlessly running oil and a poisonous fog that fills the whole mind, down to the bone.
It's interesting how hard he worked to colour absolutely everything, this being his first film in colour — and the colour he had still wasn't enough for him, so he kept adding.
The unhurried pace took some getting used to, and not only for me, from what I can tell.
Antonioni's first film in colour; starring Monica Vitti.
Kinopoisk →Elia Suleiman made a film whose hero changes almost nothing — which is exactly what leaves you alone with your own conclusions.

Leos Carax's film, in which the end of the story isn't the end of it — everybody sets their own.
Natalia Kudryashova's film — written in verse, about a city held down by snow, and about whether you're ready to get off the ground.
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