Everything sits where it should and the moves are good, and there's still a sense he's simply got old.
Watched the new Jarmusch. Maybe I caught it in the wrong mood — everything sits where it should, the moves are good, and there's a sense he's simply got old.
Or it isn't my kind of film. It's on the "Coffee and Cigarettes" side of him, and I've never much cared for that side. I want the one who made "Paterson," or "Night on Earth."
Won the Golden Lion at the 2025 Venice Film Festival; a three-part anthology, the same format as "Mystery Train" and "Coffee and Cigarettes".
Meduza →Elia Suleiman made a film whose hero changes almost nothing — which is exactly what leaves you alone with your own conclusions.

Leos Carax's film, in which the end of the story isn't the end of it — everybody sets their own.
Natalia Kudryashova's film — written in verse, about a city held down by snow, and about whether you're ready to get off the ground.
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