The moment where the question of age stops applying: she's fifty, and she's outside time.
I'm plainly too ignorant to write about her properly. Maya is fifty here — and this is exactly where age stops applying: she's outside time, and everything is within her means.
The first movement bends the air in the room and makes life something other than it was. There are days when you want art to change things that badly.
What's left is believing we're not useless here either — that we can make the world slightly different too.
Elia Suleiman made a film whose hero changes almost nothing — which is exactly what leaves you alone with your own conclusions.

Not a recommendation but an attempt to think it through — written straight after the run at the Lensoviet Theatre.

How "Robot Kostya" came about — Russia's first robotic theatre production, where it turned out Chekhovian passions were within a robot's range after all.
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